![black silhouette people from the top view photoshop black silhouette people from the top view photoshop](https://i.pinimg.com/736x/42/41/26/4241261c741761e3146af773ff1b8019.jpg)
- #Black silhouette people from the top view photoshop how to#
- #Black silhouette people from the top view photoshop pdf#
- #Black silhouette people from the top view photoshop software#
So in my case I also create different layer with different “Materials”. This is a technique that is often only done in 3D rendering, however I have found this has been equally useful in 2D drawings as this speeds up the workflow a lot when it comes to adding/editing textures and so it is really important setting up this layer early on. For anyone who is familiar with 3D rendering and V-Ray software, what I am doing here is basically setting up my own Material ID layer, which is used to quickly select parts I can apply textures to. The purpose of this step is to set myself up for quick masking. If the base line work layer is done properly and there aren’t any openings in the line work then this step should be pretty straight forward using the magic wand tool to quickly highlight and color in spaces. At this point I use simple 2D flat colored fills, nothing fancy here and the reason for that is mostly because they’re used as masks to begin with. Now that all the basic elements are in place, it’s time to have some fun and bring some color into the image. Improving Photoshop workflow speed by using 2D color fills Occasionally I apply a slight Gaussian blur filter to soften the shadows. Already from this, the image suddenly has a lot more depth, but with this you can see how quickly the shadows can become overpowering, therefore I often will play with the opacity of these until I am happy by changing the transparency of the shadow layer. I “merge” both elements simply by ordering the layers correctly or setting the blend mode of the shadow layer to multiply. The below images show the line work overlayed on top of the shadow layer: Composited shadow and line work layers inside Photoshop Now the work in Photoshop starts, where I combine the line work with the shadows. The below image shows the isolated shadow image being exported straight out of SketchUp. To create the shadows I quickly create the 3d buildings in SketchUp. In this case for example, the biggest shadow is coming from the adjacent ‘castle’ looking building. So shadows can simply transport additional information to understand the design in general. I think when it comes to contextual urban plans however, they provide a huge influence on how the image is read and really help to understand scale particularly to those who aren’t familiar with the project. Floor plans generally talk about space/program/function, not light. This is a regularly debated topic in floor plan visualization as building shadows can quickly make an image far too busy, and as a result confuse the purpose of a floor plan. The next step is integrating building shadows. Adding shadows to the buildings in the context plan in Photoshop
#Black silhouette people from the top view photoshop pdf#
Every now and then I sometimes import the PDF into Adobe Illustrator as the transition between Photoshop and Illustrator is seamless and can sometimes speed up workflow if it is just a few areas that need to be cleaned up.
#Black silhouette people from the top view photoshop software#
Modifying the line work can be done in a number of ways, I prefer to do it already inside the original CAD software (in this case in AutoCAD).
![black silhouette people from the top view photoshop black silhouette people from the top view photoshop](https://image.shutterstock.com/image-vector/silhouettes-above-260nw-415380874.jpg)
line work file of architectural site plan In this case, because of the nature of the site, it was important to identify the water canals surrounding the area, so the lines in these areas are much bolder. In my case I used AutoCAD to draw the context plan.īefore I introduce any kind of depth or color into the image I adjust this layer first so that it reads clearly as a line work image. Like any architectural visualization project in Photoshop it will start with the basic 2D line work. Import the architectural site plan line work As a master plan the idea was to establish as strong a relation with its existing urban and natural fabric.
![black silhouette people from the top view photoshop black silhouette people from the top view photoshop](https://cdn.xxl.thumbs.canstockphoto.com/people-walking-top-view-silhouettes-set-5-black-silhouettes-of-a-man-woman-and-several-children-stock-illustrations_csp20354051.jpg)
The definition of the term art appears to be expanding and so this project was about treating sound as a form of art itself. I will use an older university project of a sound gallery intended to plug into the existing cultural arts precinct of the city.
#Black silhouette people from the top view photoshop how to#
She will show how to smartly apply textures in a way that is dynamic, realistic and most importantly improve the workflow speed! In other words: She will try to get a nice result with reasonable effort – enjoy it! About my site plan architecture/urban design project In this tutorial Julien will breakdown her workflow how to make a site plan rendering or master plan illustration in Photoshop based on an imported cad drawing.